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labai įdomi kng apie airių folką -
Dave Flynn "Traditional Irish Music: a path to new music"
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neblogas straipsnis apie Irano klasiką -
АРХИТЕКТОНИКА ИРАНСКОЙ КЛАССИЧЕСКОЙ МУЗЫКИ: ГРАММАТИКА МУЗЫКАЛЬНОЙ РЕЧИ КАК КАРТИНА МИРА
https://iphras.ru/uplfile/smirnov/ishraq/2/39sham.pdf
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https://ia800206.us.archive.org/0/items/cu31924067290001/cu31924067290001.pdf
Munir Bashir
(In the long history of the oud, Munir Bashir is one of the most important players.[9] His style noticeably differs from other oud-players, for example from the urban “showmanship” in the “typical Egyptian” style of Farid Al Attrach, or from the heavily jazz-oriented music of Lebanese Rabih Abou-Khalil, who is very popular in Europe.
Especially in the field of soloistic improvisation (taqsīm) over the common scales (maqām) in Arabian music, his colleagues considered him to be an unsurpassed master.[3] It surely attributes to Bashir's pioneering work, that nowadays oud-players are able to give solo-concerts all over the world.)
akivaizdu;
nors dėl jų veiklos pastasruosius dešimt ar daugiau metų (tas pats reikalas ir su Antim), aš jų irgi nepalaikau, tad kaip ir dzin,
bet Akli Kariai ir La Bomba, manyčiau, yra labai svarūs albumai Lietuvos muzikos istorijoje
CBG yea
...o Bix'ų nei vienos...
и если есть те кто приходит к тебе, найдутся и те кто придет за тобой
muilo burbulas
Verkia ežiukas slieką pamatęs,
Verkia ežiukas graudžiai liūdnai.
Verkia ežiukas kruvinom ašarom,
Priekyje guli dar trys asilai.
genialus idiotizmas apie tai, kaip groti iš partitūros nežinant natų:
iki pabaigos nedažiūrėjau, bet komentaras po video labai taiklus:
- kaip suskaičioti kiek avių bandoje?
- labai paprasta, reikia suskaičiuot kiek kojų ir padalint iš keturių
1974 - The Hollies: The Air That I Breathe
>
1993 - Radiohead: Creep
>
2017 - Lana Del Rey: Get Free
Miles Davis - Ascenseur pour l'échafaud
- Lift to the Gallows - 1957/58
https://www.youtube.com/watch?v=Wc4tT-55ZzI
https://www.allmusic.com/album/l-ascenseur-pour-lechafaud-original-soundtrack-mw0000203518
"... Like its immediate predecessor, Waka/Jawaka, The Grand Wazoo was a largely instrumental jazz rock album recorded during Frank Zappa's convalescence from injuries sustained after being pushed off a concert stage. While Zappa contributes some guitar solos and occasional vocals, the focus is more on his skills as a composer and arranger. Most of the five selections supposedly form a musical representation of a story told in the liner notes about two warring musical factions, but the bottom line is that, overall, the compositions here are more memorably melodic and consistently engaging than Waka/Jawaka. The instrumentation is somewhat unique in the Zappa catalog as well, with the band more of a chamber jazz orchestra than a compact rock unit; over 20 musicians and vocalists contribute to the record. While Hot Rats is still the peak of Zappa's jazz-rock fusion efforts, The Grand Wazoo comes close, and it's essential for anyone interested in Zappa's instrumental works. ..."
geras klausimas, nes kiek teko matyt, nuo '67 iki '77 Rūta grojo marimba, xylofonais bei perkusija; Zoot Allures'e yra arfa, bet tai Lu Ann Neil partija
Jonas Hellborg with Glen Velez: Ars Moriende (1994)
labai gerai chebra groja
OhO
...seniai ką ir beklausiau, pirmas šią savaitę -
David Sylvian "Dead Bees on a Cake" 1999
Tesla - serbas
dženkuje, labai geras beandas
veiksmažodis gesti - ugnis užgeso, vaisiai sugedo, grupė le genda; te genda