Crushed on the train, we'd stand by the window
Sweat through the hot parts of June
We hugged it out and ducked it on purpose
Nothing else I needed to do
I was born, born to beg for you
Later that year in the back of the Warsaw
I thought you and I might be okay
Spinning and quiet, you leaned in against me
Said, "I'm gonna have it all someday"
I was born, born to beg for you
I was born, born to beg for you
I'd cry, crawl. I'd do it all
Teakettle love, I'd do anything
I'd cry, crawl. I'd do it all
Teakettle love, I'd do anything
New York is older and changing its skin again
It dies every ten years and then it begins again
If your heart was in it, I'd stay a minute
I'm dying to be taken apart
I was born, born to beg for you
I was born, born to beg for you
I'd cry, crawl. I'd do it all
Teakettle love, I'd do anything
I'd cry, crawl. I'd do it all
Teakettle love, I'd do anything
Duodu naga nukirpti, jei si daina netaps Veliniu dienos daina musick pasaulyje:
"I wanna rock you baby 'til I die
It's a magic symphony
Baby when you're lyin' next to me
I hear violins
You know what it means
Just for tonight."
Arba ateis iki vakaro goths
...remiksai, išlaikant autentišką aranžuotę, su tikslu kitaip perdėlioti tam tikrus muzikinius akcentus. Tokie remiksai man įdomūs ir jie jau dažnai įneša šiokių tokių teigiamų pokyčių.
Aš irgi prisijungsiu prie to, kad man asmeniškai nauji remiksai dažnai mažai vertės prideda prie esamo kūrinio. Sunku man sugalvoti pavyzdį, kai kito atlikėjo remiksas man praturtino originalų kūrinį. Dažniausiai domina tik to paties atlikėjo inicijuoti..
Geras klausimas. Mane tai privertė paklausyt originalių versijų. Galit mane vadint atsilupėle, paranoike ir dar kaip patinka, bet remiksai man visada bus „šiek tiek“ nebe atlikėjas (taikau visut visiems, nes miksas dažnai nuo originalo ŽIAURIAI skiriasi..