Little Arabella, she's always out of her head, out of her head
She lives in a daydream, she never understands what she said, what she said
She carries a flower, long after everyone said it's dead
And if you see her, you'll never believe her head
Little Arabella, she giggles away into bed
A skirt around her ankles, smoke coming out of her head
She wakes in the morning, looks and there's nobody in her bed
And if you meet her, you'll never believe her head
Talks in riddles, talks in rhymes
She reads the stars and looks for signs
She is a problem of the times
I'm rather glad she isn't mine
Little Arabella, she giggles away into bed
A skirt around her ankles, smoke coming out of her head
She wakes in the morning, looks and there's nobody to be found
And if you meet her, you're sure to be her next ground
Arabella, that's Arabella
Arabella out of her head
Arabella out of her head
Arabella out of her head
Arabella out of her head
Have you ever met a bird quite like little Arabella?
Course you have, she's sitting right next to you
Aš sau galvoju: hm, reikės kažkada man šį mėnesį The Reticent įkelt į music'ą. Paminėjau vakar vakare komentare grupę, šiandien ryte žiūriu, jau yra. Dėkui Alvydai, esat greitis!
Kita vertus, pono retorika prie tam tikrų dainų kaip "Kokie 90% dainos š", "Kažkoks židišks mīžals" ir "Š...klasika...vempt norisi" yra tiesiog nemaloni ir nepagarbi. Kritika - ok, nepagrįstas varymas riebiais žodžiais jau ne ok.
O viešpatie, kokia tragedija, žmogus 9 kartą per TRYLIKĄ METŲ pasiūlė tą pačią dainą. Aš suprantu, kai per trumpą laiką ten tą pačią dainą kiša ir kiša, nervuot gali pradėt, bet čia tai labai normalu. Aš pats greičiausiai taip elgiuos.