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“Inside a Dream”

NT: [to Stuart] You put this start on.

CL: There’s something kind of gothic about this.

SP: It is. I think “Inside a dream” is one of those tracks where the music sounds like the title. The music sounds like you paint it and you put it together with that in mind. And it begins and ends with these, I feel like they’re sort of kinda deep house sections.

NT: More bells—my favorite bell line on the album is on this.

SP: These kind of tracks, again, they’re made in a way you want to be able to play them out, and like a lot of good club music, you find your own meaning when you hear it in a club. You hear a lyric and it connects with you, and that’s it. It’s as simple as that, and again it’s about not being over-thought. Actually, a lot of times in a nightclub, when it’s really good dance music being played, all of a sudden when a song comes along, it can just be a bit of a turn-off.

NT: Yes.

SP: You can suddenly go from being, feeling good in a club, to like…

CL: There’s too much information for your brain to assimilate…

SP: And it goes a bit Top 40…

CL: ‘Cause dance music’s not about that, is it? Dance music’s about repetition. This was just that.

NT: Chris and I used to have a songwriting technique where, believe it or not, we used to pretend we were Marvin Gaye. And Marvin Gaye always, or often, used to sing behind one of his own vocal lines, like improvise around it. So, remember this started off singing around the original vocal and then we took the original vocal out, just leaving this.