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Rutonė pakomentavo Svetainės "Music.lt" tobulinimas: idėjos ir pasiūlymai
einaras13 pakomentavo Svetainės "Music.lt" tobulinimas: idėjos ir pasiūlymai
Rutonė pakomentavo Svetainės "Music.lt" tobulinimas: idėjos ir pasiūlymai
Prodarv mėgsta Silence Like The Grave
Prodarv mėgsta L'italiano
Prodarv mėgsta Lift Me Up
Rutonė mėgsta Kai perplauksi upe
Konditerijus mėgsta Foje dainą Upė iš lėto plauks
Konditerijus mėgsta Foje dainą Kai perplauksi upe
Rutonė pakomentavo Svetainės "Music.lt" tobulinimas: idėjos ir pasiūlymai
einaras13 pakomentavo Svetainės "Music.lt" tobulinimas: idėjos ir pasiūlymai
Rutonė pakomentavo Svetainės "Music.lt" tobulinimas: idėjos ir pasiūlymai
Pokalbių dėžutė
12:47 -
Konditerijus
Galvojau apie citatą numestą. Raminanti mintis, kad visada žmogus turi bent šitą pasirinkimą ir niekas jo negali atimti.
12:35 -
einaras13
Aš irgi jau buvau pabėgęs į darbus vidury diskusijos. Dabar va parašau ir vėl bėgu 
12:34 -
einaras13
Aš savo darbe esu apsuptas optinės spektroskopijos specialistų, jie tikrai pasakytų, kad prizmės yra pakeičiamas daiktas, bet reikia kruopštumo
12:30 -
Silentist
Einarai, nenihilizmas. Beje viliaus parasas music.lt: Parašas: \"Death may be the biggest of all human blessings\" - Socrates
12:17 -
4Blackberry
Aš atėjau čia tik palaikinti vienos dainos ir parašyti vieną komentarą, o va kas gavosi. Reikia eit dirbti man 
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2021 m. lapkričio 21 d. 10:56:57
_________________________ 5
(1801) Sonata No. 14 in C-sharp minor for Piano Op. 27 [No. 2 Moonlight; Adagio sostenuto]
de Ludwig van Beethoven
_________________________ 5
(1810) Fur Elise Bagatelle No.25
de Ludwig van Beethoven
_________________________ 5
(1816) Il barbiere di Siviglia (The Barber of Seville)
de Gioachino Rossini
_________________________ 5
(1824) Symphony No. 9 In D Minor, Op. 125 Choral [II. Molto vivace; Presto]
de Ludwig van Beethoven
_________________________ 5
(1828) William Tell Overture (excerpt)
de Gioachino Rossini
________________ 5
(1831) Nocturnes Op. 9 [No. 2 in E-flat]
de Frédèric Chopin
_________________________ 5+1 -2 kill
(1841) Nabucco [Va, pensiero, sull'ali dorate (Chorus of the Hebrew Slaves)]
de Giuseppe Verdi
_________________________ 5
(1842) Wedding March C Major Op. 61
de Félix Mendelssohn
_________________________ 5
(1856) Die Walküre, WWV 86B [Ride of the Valkyries]
de Richard Wagner
_________________________ 5
(1858) Ave Maria, Die Glocken von Rom, S.182
de Franz Liszt
_________________________ 5
(1866) The Blue Danube, Op. 314
de Johann Strauss
_________________________5
(1872) Dance Macabre Op. 40
de Camille Saint-Saëns
_________________________5
(1873) Peer Gynt Suite No.1, Op.46 [In the Hall of the Mountain King]
de Edvard Grieg
_________________________5
(1875) Carmen [Act 1 - Sur la place]
de Georges Bizet
_________________________5
(1876) Swan Lake, Op. 20 [Danses des Cygnes - Scene; Moderato assai]
de Pyotr Ilyich Tchaikovsky
_________________________5-2=3-2=1 Kill
(1880) The Tales Of Hoffman [Barcarolle] [Explicit]
de Jacques Offenbach
_________________________5
(1881) A Night On Bald Mountain
de Modest Mussorsky
_________________________5
(1882) Voices of Spring, Op. 410
de Johann Strauss
_________________________5
(1883) Lakmé [Flower Duet]
de Léo Delibes
_________________________5
(1886) The Carnival of the Animals
de Camille Saint-Saëns
_________________________5
(1887) Pavane, Op. 50
de Gabriel Fauré
_________________________5
(1888) Gymnopédies [No. 1] [Explicit]
de Erik Satie
_________________________5+1 Save
(1890) Gnossienne No. 3
de Erik Satie
_________________________5
(1891) Arabesque No. 1 [Andantino con moto]
de Claude Debussy
_________________________5+1 save
(1892) The Nutcracker Suite Op. 71 [Dance of the Sugar Plum Fairy]
de Pyotr Ilyich Tchaikovsky
_________________________5
(1893) Symphony No.9 in E Minor, Op. 95 [From The New World, IV. Allegro con fuoco]
de Antonín Dvořák
_________________________5
(1894) Prélude à L'Après [Midi d'un faune]
de Claude Debussy
_________________________5
(1896) Also sprach Zarathustra, Op. 30 [Introduction]
de Johann Strauss
_________________________5
(1897) Méditation [Thaïs]
de Jules Massenet
_________________________5
(1898) Variations on an Original Theme, Op.36 [Enigma - 14. Finale E.D.U. (Allegro - Presto)]
de Edward Elgar
_________________________5
(1899) Flight of the Bumblebee
de Nikolai Rimsky Korsakov
____________________
'Aš tau atleidžiu' gali pasakyti tik tas, kas gali pasakyti 'Aš tave myliu' (Paolo Coelho - Alchemikas)
2021 m. lapkričio 21 d. 07:19:49
_________________________ 5
(1801) Sonata No. 14 in C-sharp minor for Piano Op. 27 [No. 2 Moonlight; Adagio sostenuto]
de Ludwig van Beethoven
_________________________ 5
(1810) Fur Elise Bagatelle No.25
de Ludwig van Beethoven
_________________________ 5
(1816) Il barbiere di Siviglia (The Barber of Seville)
de Gioachino Rossini
_________________________ 5
(1824) Symphony No. 9 In D Minor, Op. 125 Choral [II. Molto vivace; Presto]
de Ludwig van Beethoven
_________________________ 5
(1828) William Tell Overture (excerpt)
de Gioachino Rossini
________________ 5
(1831) Nocturnes Op. 9 [No. 2 in E-flat]
de Frédèric Chopin
_________________________ 5+1 -2 kill
(1841) Nabucco [Va, pensiero, sull'ali dorate (Chorus of the Hebrew Slaves)]
de Giuseppe Verdi
_________________________ 5
(1842) Wedding March C Major Op. 61
de Félix Mendelssohn
_________________________ 5
(1856) Die Walküre, WWV 86B [Ride of the Valkyries]
de Richard Wagner
_________________________ 5
(1858) Ave Maria, Die Glocken von Rom, S.182
de Franz Liszt
_________________________ 5
(1866) The Blue Danube, Op. 314
de Johann Strauss
_________________________5
(1872) Dance Macabre Op. 40
de Camille Saint-Saëns
_________________________5
(1873) Peer Gynt Suite No.1, Op.46 [In the Hall of the Mountain King]
de Edvard Grieg
_________________________5
(1875) Carmen [Act 1 - Sur la place]
de Georges Bizet
_________________________5
(1876) Swan Lake, Op. 20 [Danses des Cygnes - Scene; Moderato assai]
de Pyotr Ilyich Tchaikovsky
_________________________5-2=3 Kill
(1880) The Tales Of Hoffman [Barcarolle] [Explicit]
de Jacques Offenbach
_________________________5
(1881) A Night On Bald Mountain
de Modest Mussorsky
_________________________5
(1882) Voices of Spring, Op. 410
de Johann Strauss
_________________________5
(1883) Lakmé [Flower Duet]
de Léo Delibes
_________________________5
(1886) The Carnival of the Animals
de Camille Saint-Saëns
_________________________5
(1887) Pavane, Op. 50
de Gabriel Fauré
_________________________5
(1888) Gymnopédies [No. 1] [Explicit]
de Erik Satie
_________________________5
(1890) Gnossienne No. 3
de Erik Satie
_________________________5
(1891) Arabesque No. 1 [Andantino con moto]
de Claude Debussy
_________________________5+1 save
(1892) The Nutcracker Suite Op. 71 [Dance of the Sugar Plum Fairy]
de Pyotr Ilyich Tchaikovsky
_________________________5
(1893) Symphony No.9 in E Minor, Op. 95 [From The New World, IV. Allegro con fuoco]
de Antonín Dvořák
_________________________5
(1894) Prélude à L'Après [Midi d'un faune]
de Claude Debussy
_________________________5
(1896) Also sprach Zarathustra, Op. 30 [Introduction]
de Johann Strauss
_________________________5
(1897) Méditation [Thaïs]
de Jules Massenet
_________________________5
(1898) Variations on an Original Theme, Op.36 [Enigma - 14. Finale E.D.U. (Allegro - Presto)]
de Edward Elgar
_________________________5
(1899) Flight of the Bumblebee
de Nikolai Rimsky Korsakov
____________________
Meilė kovoja,bet žmonės akli,kas atsimerks,tam iš dangaus,leisis ji Šitam pasaulį meilė gimdo ateitį,praeitis-dabartį,o ateitis-sapnus. (Sahja) Mano batai iš Lietuvos,mano kelnės iš Vokietijos,mano kepurė iš Rusijos,o mano širdis,iš Indijos.Visa Visata ,tik sapnas,tik laikas,kurio nėra,mums tai atvers.
2021 m. lapkričio 21 d. 07:19:49
_________________________ 5
(1801) Sonata No. 14 in C-sharp minor for Piano Op. 27 [No. 2 Moonlight; Adagio sostenuto]
de Ludwig van Beethoven
_________________________ 5
(1810) Fur Elise Bagatelle No.25
de Ludwig van Beethoven
_________________________ 5
(1816) Il barbiere di Siviglia (The Barber of Seville)
de Gioachino Rossini
_________________________ 5
(1824) Symphony No. 9 In D Minor, Op. 125 Choral [II. Molto vivace; Presto]
de Ludwig van Beethoven
_________________________ 5
(1828) William Tell Overture (excerpt)
de Gioachino Rossini
________________ 5
(1831) Nocturnes Op. 9 [No. 2 in E-flat]
de Frédèric Chopin
_________________________ 5+1 -2 kill
(1841) Nabucco [Va, pensiero, sull'ali dorate (Chorus of the Hebrew Slaves)]
de Giuseppe Verdi
_________________________ 5
(1842) Wedding March C Major Op. 61
de Félix Mendelssohn
_________________________ 5
(1856) Die Walküre, WWV 86B [Ride of the Valkyries]
de Richard Wagner
_________________________ 5
(1858) Ave Maria, Die Glocken von Rom, S.182
de Franz Liszt
_________________________ 5
(1866) The Blue Danube, Op. 314
de Johann Strauss
_________________________5
(1872) Dance Macabre Op. 40
de Camille Saint-Saëns
_________________________5
(1873) Peer Gynt Suite No.1, Op.46 [In the Hall of the Mountain King]
de Edvard Grieg
_________________________5
(1875) Carmen [Act 1 - Sur la place]
de Georges Bizet
_________________________5
(1876) Swan Lake, Op. 20 [Danses des Cygnes - Scene; Moderato assai]
de Pyotr Ilyich Tchaikovsky
_________________________5-2=3 Kill
(1880) The Tales Of Hoffman [Barcarolle] [Explicit]
de Jacques Offenbach
_________________________5
(1881) A Night On Bald Mountain
de Modest Mussorsky
_________________________5
(1882) Voices of Spring, Op. 410
de Johann Strauss
_________________________5
(1883) Lakmé [Flower Duet]
de Léo Delibes
_________________________5
(1886) The Carnival of the Animals
de Camille Saint-Saëns
_________________________5
(1887) Pavane, Op. 50
de Gabriel Fauré
_________________________5
(1888) Gymnopédies [No. 1] [Explicit]
de Erik Satie
_________________________5
(1890) Gnossienne No. 3
de Erik Satie
_________________________5
(1891) Arabesque No. 1 [Andantino con moto]
de Claude Debussy
_________________________5+1 save
(1892) The Nutcracker Suite Op. 71 [Dance of the Sugar Plum Fairy]
de Pyotr Ilyich Tchaikovsky
_________________________5
(1893) Symphony No.9 in E Minor, Op. 95 [From The New World, IV. Allegro con fuoco]
de Antonín Dvořák
_________________________5
(1894) Prélude à L'Après [Midi d'un faune]
de Claude Debussy
_________________________5
(1896) Also sprach Zarathustra, Op. 30 [Introduction]
de Johann Strauss
_________________________5
(1897) Méditation [Thaïs]
de Jules Massenet
_________________________5
(1898) Variations on an Original Theme, Op.36 [Enigma - 14. Finale E.D.U. (Allegro - Presto)]
de Edward Elgar
_________________________5
(1899) Flight of the Bumblebee
de Nikolai Rimsky Korsakov
____________________
Meilė kovoja,bet žmonės akli,kas atsimerks,tam iš dangaus,leisis ji Šitam pasaulį meilė gimdo ateitį,praeitis-dabartį,o ateitis-sapnus. (Sahja) Mano batai iš Lietuvos,mano kelnės iš Vokietijos,mano kepurė iš Rusijos,o mano širdis,iš Indijos.Visa Visata ,tik sapnas,tik laikas,kurio nėra,mums tai atvers.
2021 m. lapkričio 20 d. 22:40:52
_________________________ 5
(1801) Sonata No. 14 in C-sharp minor for Piano Op. 27 [No. 2 Moonlight; Adagio sostenuto]
de Ludwig van Beethoven
_________________________ 5
(1810) Fur Elise Bagatelle No.25
de Ludwig van Beethoven
_________________________ 5
(1816) Il barbiere di Siviglia (The Barber of Seville)
de Gioachino Rossini
_________________________ 5
(1824) Symphony No. 9 In D Minor, Op. 125 Choral [II. Molto vivace; Presto]
de Ludwig van Beethoven
_________________________ 5
(1828) William Tell Overture (excerpt)
de Gioachino Rossini
________________ 5
(1831) Nocturnes Op. 9 [No. 2 in E-flat]
de Frédèric Chopin
_________________________ 5+1 Save
(1841) Nabucco [Va, pensiero, sull'ali dorate (Chorus of the Hebrew Slaves)]
de Giuseppe Verdi
_________________________ 5
(1842) Wedding March C Major Op. 61
de Félix Mendelssohn
_________________________ 5
(1856) Die Walküre, WWV 86B [Ride of the Valkyries]
de Richard Wagner
_________________________ 5
(1858) Ave Maria, Die Glocken von Rom, S.182
de Franz Liszt
_________________________ 5
(1866) The Blue Danube, Op. 314
de Johann Strauss
_________________________5
(1872) Dance Macabre Op. 40
de Camille Saint-Saëns
_________________________5
(1873) Peer Gynt Suite No.1, Op.46 [In the Hall of the Mountain King]
de Edvard Grieg
_________________________5
(1875) Carmen [Act 1 - Sur la place]
de Georges Bizet
_________________________5
(1876) Swan Lake, Op. 20 [Danses des Cygnes - Scene; Moderato assai]
de Pyotr Ilyich Tchaikovsky
_________________________5-2=3 Kill
(1880) The Tales Of Hoffman [Barcarolle] [Explicit]
de Jacques Offenbach
_________________________5
(1881) A Night On Bald Mountain
de Modest Mussorsky
_________________________5
(1882) Voices of Spring, Op. 410
de Johann Strauss
_________________________5
(1883) Lakmé [Flower Duet]
de Léo Delibes
_________________________5
(1886) The Carnival of the Animals
de Camille Saint-Saëns
_________________________5
(1887) Pavane, Op. 50
de Gabriel Fauré
_________________________5
(1888) Gymnopédies [No. 1] [Explicit]
de Erik Satie
_________________________5
(1890) Gnossienne No. 3
de Erik Satie
_________________________5
(1891) Arabesque No. 1 [Andantino con moto]
de Claude Debussy
_________________________5
(1892) The Nutcracker Suite Op. 71 [Dance of the Sugar Plum Fairy]
de Pyotr Ilyich Tchaikovsky
_________________________5
(1893) Symphony No.9 in E Minor, Op. 95 [From The New World, IV. Allegro con fuoco]
de Antonín Dvořák
_________________________5
(1894) Prélude à L'Après [Midi d'un faune]
de Claude Debussy
_________________________5
(1896) Also sprach Zarathustra, Op. 30 [Introduction]
de Johann Strauss
_________________________5
(1897) Méditation [Thaïs]
de Jules Massenet
_________________________5
(1898) Variations on an Original Theme, Op.36 [Enigma - 14. Finale E.D.U. (Allegro - Presto)]
de Edward Elgar
_________________________5
(1899) Flight of the Bumblebee
de Nikolai Rimsky Korsakov
____________________
'Aš tau atleidžiu' gali pasakyti tik tas, kas gali pasakyti 'Aš tave myliu' (Paolo Coelho - Alchemikas)
2021 m. lapkričio 20 d. 21:59:22
Ka gi,žaisiu vienas,jei ir Sahja nežais...'(
____________________
'Aš tau atleidžiu' gali pasakyti tik tas, kas gali pasakyti 'Aš tave myliu' (Paolo Coelho - Alchemikas)
2021 m. lapkričio 20 d. 21:29:47
Per daug. Kad žaisčiau šitam žaidime, turėčiau savaitę nagrinėti visą šį sąrašą prieš tai. Per mažai „apsiklausęs“ klasikoj esu
____________________
„Nieko nepadarysi“ - Kurtas Vonegutas
2021 m. lapkričio 20 d. 21:23:17
romantikų -XIXa. virš 50 chronologiškai sustatytų kūrinių , 1 save,2 kill.visi turi po 5 taškus tegul pradžiai
_________________________
(1801) Sonata No. 14 in C-sharp minor for Piano Op. 27 [No. 2 Moonlight; Adagio sostenuto]
de Ludwig van Beethoven
_________________________
(1802) 24 Caprices for Solo Violin, Op. 1 [No. 24 in A Minor]
de Niccoló Paganini
_________________________
(1804) Symphony No. 5 in C Minor, Op. 67 [I. Allegro con brio; final]
de Ludwig van Beethoven
_________________________
(1810) Fur Elise Bagatelle No.25
de Ludwig van Beethoven
_________________________
(1816) Il barbiere di Siviglia (The Barber of Seville)
de Gioachino Rossini
____________________
(1822) Symphony No 8 'Unfinished' in B-Minor, D. 759 [I. Allegro moderato]
de Franz Schubert
_________________________
(1823) Du bist die Ruh, D. 776 Op. 59 [No. 3]
de Franz Schubert
_________________________
(1824) Symphony No. 9 In D Minor, Op. 125 Choral [II. Molto vivace; Presto]
de Ludwig van Beethoven
_________________________
(1825) Symphony No 9 'The Great' in C-Major, D. 944 [III. Scherzo & Trio - Allegro vivace]
de Franz Schubert
_________________________
(1826) Mélodies polonaises Op.74 [No.2 Le Printemps]
de Frédèric Chopin
_________________________
(1828) William Tell Overture (excerpt)
de Gioachino Rossini
________________
(1831) Nocturnes Op. 9 [No. 2 in E-flat]
de Frédèric Chopin
_________________________
(1832) The Hebrides (Overture) Op. 26
de Félix Mendelssohn
_________________________
(1835) I puritani [Act I, Scena 3: The Hall of Arms]
de Vinenzo Bellini
_________________________
(1839) Piano Concerto in A minor, Op. 54 [III. Allegro vivace]
de Robert Schumann
_________________________
(1840) Piano Sonata No. 2 Bb minor, Op. 35 [Funeral March: III. Marche Funebre: Lento]
de Frédèric Chopin
_________________________
(1841) Nabucco [Va, pensiero, sull'ali dorate (Chorus of the Hebrew Slaves)]
de Giuseppe Verdi
_________________________
(1842) Wedding March C Major Op. 61
de Félix Mendelssohn
_________________________
(1848) Radetzky March, Op. 228
de Johann Strauss
_________________________
(1849) Hungarian Rhapsody No. 2 in C# minor, S.244/2
de Franz Liszt
_________________________
(1856) Die Walküre, WWV 86B [Ride of the Valkyries]
de Richard Wagner
_________________________
(1857) Dante Symphony, S. 109 [Fugue and Magnificat]
de Franz Liszt
_________________________
(1858) Ave Maria, Die Glocken von Rom, S.182
de Franz Liszt
_________________________
(1861) Orpheus in the Underworld [Act II. Infernal Galop Can-Can]
de Jacques Offenbach
_________________________
(1862) Le Reine de Saba [Act II: Faibl]
de Charles Gounod
_________________________
(1865) Tristan and Isolde, WWV. 90
de Richard Wagner
_________________________
(1866) The Blue Danube, Op. 314
de Johann Strauss
_________________________
(1869) Hungarian Dance No. 5 WoO. 1
de Johannes Brahms'
_________________________
(1870) Messa da Requiem
de Giuseppe Verdi
_________________________
(1872) Dance Macabre Op. 40
de Camille Saint-Saëns
_________________________
(1873) Peer Gynt Suite No.1, Op.46 [In the Hall of the Mountain King]
de Edvard Grieg
_________________________
(1875) Carmen [Act 1 - Sur la place]
de Georges Bizet
_________________________
(1876) Swan Lake, Op. 20 [Danses des Cygnes - Scene; Moderato assai]
de Pyotr Ilyich Tchaivovsky
_________________________
(1877) Má vlast [Vltava]
de Bedřich Smetana
_________________________
(1879) Eugene Onegin [Polonaise]
de Pyotr Ilyich Tchaivovsky
_________________________
(1880) The Tales Of Hoffman [Barcarolle] [Explicit]
de Jacques Offenbach
_________________________
(1881) A Night On Bald Mountain
de Modest Mussorsky
_________________________
(1882) Voices of Spring, Op. 410
de Johann Strauss
_________________________
(1883) Lakmé [Flower Duet]
de Léo Delibes
_________________________
(1885) The Pearl Fishers [Act I Scene 1]
de Georges Bizet
_________________________
(1886) The Carnival of the Animals
de Camille Saint-Saëns
_________________________
(1887) Pavane, Op. 50
de Gabriel Fauré
_________________________
(1888) Gymnopédies [No. 1] [Explicit]
de Erik Satie
_________________________
(1889) Kaiser-Walzer Op. 437
de Johann Strauss
_________________________
(1890) Gnossienne No. 3
de Erik Satie
_________________________
(1891) Arabesque No. 1 [Andantino con moto]
de Claude Debussy
_________________________
(1892) The Nutcracker Suite Op. 71 [Dance of the Sugar Plum Fairy]
de Pyotr Ilyich Tchaikovsky
_________________________
(1893) Symphony No.9 in E Minor, Op. 95 [From The New World, IV. Allegro con fuoco]
de Antonín Dvořák
_________________________
(1894) Prélude à L'Après [Midi d'un faune]
de Claude Debussy
_________________________
(1896) Also sprach Zarathustra, Op. 30 [Introduction]
de Johann Strauss
_________________________
(1897) Méditation [Thaïs]
de Jules Massenet
_________________________
(1898) Variations on an Original Theme, Op.36 [Enigma - 14. Finale E.D.U. (Allegro - Presto)]
de Edward Elgar
_________________________
(1899) Flight of the Bumblebee
de Nikolai Rimsky Korsakov
____________________
'Aš tau atleidžiu' gali pasakyti tik tas, kas gali pasakyti 'Aš tave myliu' (Paolo Coelho - Alchemikas)