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PILNAS ALBUMO PROSPECTUS I REVIEW (scaruffi.com) The master of nordic landscapes was Sweden's Peter Andersson, known as Raison D'Etre, experimented with both the "industrial folk" style of Prospectus I (1993), a set of psalms for string section and percussion instruments The nine sacred hymns of di Prospectus I (Cold Meat Industry, 1993) present his bleak philosophy via an "industrial folk music" that relies on percussion instruments and string sections. Katharsis blends religious chanting, celestial breathing, ominous drones and thunderous drums. The "mass" turns to requiem with Ordeal In Chapel, that is a most funereal piece of music, replete with dejected chants, church bells and mournful strings. On the other hand, the mixed voices of Ascension De Profundis, following a technique invented by Karlheinz Stockhausen, become a menacing whirlwing in Mourning. The symphonic grandeur of Mesmerized in Sorrow boasts a touching melody, but Cenotaphium is shaken by a frantic and crashing sequence of dissonances, interlocking electronic melodies building to a dramatic climax. Voices filled again the space in Synopsis, but they sound like radio broadcasts captured from another galaxy. A martial beat introduces the solemn ceremony of Anathema/Apotheosis, and Penumbra completes the cycle by dissolving an electronic carillon into coulds of religious chanting and cosmic drones. |
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Pasiūlė | Daina | Mėgsta | |||
malia | ![]() Cheap Trick |
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Konditerijus | ![]() Mor ve Ötesi |
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Alvydas1 | ![]() Opeth Gal ir pabodo, bet paklausykit 1002-ąjį kartą. |
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Sahja | ![]() E-Rotic |
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Silentist | ![]() Boards of Canada |